TOM R · add portrait
a small automotive video agency
we makefilms thatmake you feelsomething.
SHOWREEL · add reel.mp4 to /public
01
what we do.
Mostly monthly retainers — but plug me in at any stage you need.
Automotive cinematics
Cars shot like they deserve — reveals, builds, collections and showrooms, cut to feel cinematic.
Monthly social content
A steady stream of short-form cuts for your feed. One simple retainer, content every month.
Brand films
A longer hero piece that says who you are — script, shoot and edit, handled end to end.
Events & show coverage
Goodwood, launches, track days, weddings — capture the day, deliver it ready to post.
Edit & finishing
Got the footage but not the time? Edit, colour and sound, turned around fast.
trusted by a handful of very good people
Client 01
Client 02
Client 03
Client 04
Client 05
Client 06
Client 07
Client 08
FEATURED
the latest cut.
A recent piece we're proud of — full write-up below.
FEATURED CUT · 1:30
CLIENT — ADD CLIENT NAME
Project Title
A cinematic automotive piece built for social — engineered to stop the scroll and earn the watch. Shot, cut and graded in-house, then delivered in every format the feed needs.
watch the cut →STILL 01
STILL 02
STILL 03
02
recent work.
A handful of things I've shot, cut and graded — automotive and beyond.
03
kind words.
A few words from people I've made content for.
They turned our brief into something way better than we'd imagined — and shipped the whole thing in two weeks.
The film is still doing work for us six months later. Best creative spend of the year.
Calm on set, ruthless in the edit. Exactly what you want from a director.
04
how we work.
Five steps. No surprises. The person you meet on day one is the person filming, editing and delivering on the last.
- 01
Brief
We talk. You tell us what the content has to do. I ask a lot of (sometimes annoying) questions.
- 02
Plan
Shot ideas, locations, schedule. Everything's decided before the camera comes out.
- 03
Shoot
Lean and quick. One person, proper kit, calm on set — easy to have around.
- 04
Edit
Cut, colour and sound, all handled in-house. Cinematic, and built for the feed.
- 05
Deliver
Every format you need — landscape, square, vertical — ready to post.
05
about us.
Two car nerds — one behind the camera, one behind the collection.
Every frame is shot, cut and graded by one person — me. Small on purpose, so the person you meet on the first call is the person behind the camera, and in the edit at 11pm chasing that one last frame.
TOM B · add portrait
Tom B
Founder · Wambarn · Car Collector
The reason wamvisuals exists. Tom B is an avid car nerd and collector — Wambarn is his hyper & supercar collection, and where the obsession with cars (and capturing them) began. It keeps remarkable machines in front of the lens.
06
the kit.
Lean, modern gear — enough to make it cinematic, light enough to move fast on my own.
CAMERA
Camera
Cinema-grade mirrorless — built for fast, lean, one-person shoots.
LENSES
Lenses
A versatile prime and zoom set — wide enough for cars, sharp on the detail.
MOVEMENT
Movement
Gimbal, slider and rigging for smooth, cinematic motion.
AERIAL
Aerial
Drone coverage for the angles a tripod can't reach.
LIGHT
Light
Compact LED lighting for showrooms, studios and golden hour.
POST
Post
A colour-calibrated edit suite — graded and finished in-house.
07
things people ask.
Can't find an answer? Email me — I'm quick to reply.
How does pricing work?
Most clients work with me on a simple monthly retainer — fresh content every month for one predictable cost. It runs from around £500 to £3k a month depending on how much you need, so there's a tier that fits most businesses. One-off projects are welcome too. Tell me the brief and you'll have a clear quote within 48 hours.
Do I have to commit to a retainer?
Not at all. Monthly is what works best for most businesses — it keeps your feed fed and the cost easy to plan for — but one-off films and event coverage are always an option.
Do you only film cars?
Cars are the heart of it — but I've also shot restaurants, properties, sport, weddings and Goodwood Festival of Speed. If it's a story worth telling, I'm interested.
How long does a project take?
A social cut can turn around in about a week. A brand film is usually two to four weeks from brief to delivery. Event coverage is turned around within days.
Where are you based — do you travel?
Based between Durham and Rugby, and happy to travel — most shoots take me somewhere new anyway. Travel is folded into the quote, so there are no surprises.
Can I hire you just to edit?
Yes. If you've got the footage but not the time, I'll cut, colour and finish it for you.
let's make something.
got a car?
let's make it look good.
Prefer email? tomr@wambarn.com · or say ciao on instagram.
Based in Durham & Rugby · filming UK-wide